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The Breaking of Our Tribe: A Review of Where the Heart Is by Andrew Chatora

Where the Heart Is, Andrew Chatora’s second offering, paints the picture of a broken tribe. However, the tribe Chatora explores is the tribe of Zimbabweans who left the country in the early 2000s to seek greener pastures in the United Kingdom.

Where the Heart Is, Andrew Chatora’s second offering, paints the picture of a broken tribe. However, the tribe Chatora explores is the tribe of Zimbabweans who left the country in the early 2000s to seek greener pastures in the United Kingdom. Where the Heart Is details the lives of the Mupawaendas, a Zimbabwean family living in the UK and is told through the perspectives of characters: Fari Mupawaenda, the main character, Maidei Mupawaenda, his wife, Yeukai Mupawaenda, their daughter, and Letitia Johnson, an immigrant from Thailand whose path collides with Fari’s. Thus, Where the Heart Is, is reminiscent of Zadie Smith’s NW, a novel that also looks closely at working class England and is narrated by four characters The novel takes place in Milton Keynes and Zimbabwe, drawing the reader to the Mupawaendas’ dual identities.

While Chatora’s debut novella, Diaspora Dreams, dealt with the workplace discrimination faced by African immigrants in the UK, Where the Heart Is, is a more gritty novel as it captures darker themes such as the crimes that take place in the working class neighbourhoods where most immigrants live, the impossibility of finding dignified employment opportunities, human trafficking, and substance abuse among others. In fact, the very neighbourhood that Fari and Maidei reside in is darkened by crime.

I had seen it far too often, in England, county lines, drug gangs grooming kids, sadly mostly young black children from broken homes, gun and knife crime were the order of the day and typified most inner-city ghettoes like London, Liverpool, and not least our very own Milton Keynes. It broke my heart each time I saw on the telly the perpetrators of these seedy juvenile crimes were mostly young, black kids. My skin recoiled in horror even thinking of this, no wonder I was overprotective of both my kids. ‘‘They need the harsh Zimbabwean upbringing and sensibility,’’ many atimes I remarked to a bemused Maidei.

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The novel begins with the funeral of Fari Mupawaenda which is a dismal affair, despite Fari having been a family man who financially supported his relatives living in Zimbabwe while he was in the UK. Despite funerals being important rites in Fari’s ChiManyika culture, his nuclear family is not in attendance, sparking speculation and derision from his relatives. Thus begins the 200-page epic of how a well-educated man, living in the (so called) rich Diaspora, came to be buried with nothing to his name. 

The bulk of Where the Heart Is, is told through the perspective of Fari who moved to Britain, along with his wife, Maidei, to secure a better living for his family.  Fari is stubborn and traditional, holding dearly to his romanticised memory of his homeland, for when he remembers Zimbabwe; it is his idyllic boyhood he pictures, even though he was an academic living in the city by the time he moved. His reminiscence is metaphorical as his wife increasingly assimilates to British life and culture, Fari is emotionally invested in Zimbabwe, secretly sending money back home to complete numerous projects and visiting the country at every chance. 

Call me rustic, but as a young lad who had grown up in rural Gatsi district, herding goats and cattle, running barefooted skimpily dressed, experiencing the raucous laughter in the rain, walking to school barefooted the morning dew lacing my feet, playing hide and seek in the Msasa bushes; the allure of village life, cow dung smell, the chirping of the birds, the buzz of the grass insects, all these nostalgic memories greatly appealed to me. Never mind the bright lights of the city; where I moved in later years; the greater part of me still harboured notions of setting up my retirement home in rural Gatsi village, and so with this at the back of my mind; I secretly liaised with my nephew Gumisai, my sister’s son to oversee my project to have a borehole sunk at our Gatsi family homestead, where I had cut my teeth into puberty.

Unlike his wife and other immigrants in the book, Fari is neither able to cope with the xenophobia and racism directed towards African immigrants, nor ignore it.

Fari’s wife, Maidei, tries her best to change his way of thinking and this splinters their marriage. Along with the couple’s newfound friends, Ben and Taurai, Maidei tries to manipulate Fari to assimilate as she has. Ben and Taurai are another Zimbabwean couple that Fari and Maidei befriend, and they are a focal influence in Where the Heart Is, as Maidei’s incessant goal to keep up with them is a catalyst for the downfall of her marriage to Fari, and her constant comparison of Ben and Taurai’s twin daughters alienate her from her own offspring.

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The Mupawaenda’s have a son, Muchaneta a closet homosexual, and a daughter, Yeukai, but it is Yeukai and not Muchaneta, who is the third narrator of Where the Heart Is. Yeukai’s upbringing is chaotic as her parents constantly quarrel. Like most second-generation immigrant children, Yeukai’s parents expect academic excellence from her, and ceaselessly compare her to Ben and Taurai’s daughters, Makanaka and Mazvita, who are studying Medicine and Actuarial Science, respectively. However, as in Njabulo Ndebele’s, “The Music of the Violin”, this pressure negatively impacts Yeukai’s psychological wellbeing. Thus, Yeukai counterproductively seeks solace in the arms of men who constantly disappoint her, much to the chagrin of her strict father and social climbing mother. Yet, despite his disappointments in his children, Fari is no saint himself as he spends his last moments questioning the values he arrogantly held dear. 

A striking character in this novel is Letitia Johnson, an unfortunate victim of Europe’s well-orchestrated human trafficking syndicates, whose path crosses with Fari’s in the end. Although her role in the book, and in Fari’s life is short lived, her voice and her story are desperate and urgent, forcing the reader to consider the horrors of illegal migration:

I have been living a lie for the twenty years or so I have been in England, living under an assumed name and identity. But now, they are closing in on me now…

Where the Heart Is deals with heavy themes such as nationhood and belonging, human trafficking and morality. Fari Mupawaenda is a man who is rigid in his ideals of right and wrong and despite the remonstrations of his friends, is unable to bend these rules.  While Fari has no desire to assimilate Anglo culture, his wife and children assimilate to varying degrees. However, in their assimilation, they lose their moral centre – while Yeukai makes unfortunate life choices, Maidei descends into drug abuse as she is unable to cope with the mounting social and financial pressures of life in the UK where her support system is limited. Fari holds dear to the ideal of an unchanging Zimbabwe that is waiting for him, but even his country is unfaithful. Having lost his marriage and children, Fari leaves for Zimbabwe in great haste, where he discovers that his own relatives have squandered his money and every project, he puts his hands to fails him. Thus perhaps, the only way Zimbabwean emigrants can survive is by neither shirking off their identity entirely nor holding too dearly to it but finding a better balance between the two extremes.

Harare CBD. Photo: Arthur Chatora

Where the Heart Is, is also told against a shifting backdrop of Brexit era Britain where it is becoming increasingly difficult to live as an immigrant as Fari poignantly remarks in the denouement section of the text where he delineates some sad home truths: 

But who am I? I’m just a little grain of salt in an ocean, that is the convoluted maze of the labyrinth that British immigration is and its pitfalls…Once more I apologize the UK system failed you, their failure to provide a safe haven and sanctuary to one who has endured and suffered exceedingly as in your case Letitia!

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Perhaps it’s the poisoned chalice of Brexit after all which has turned fellow humans against each under the banner of xenophobia, bigotry and parochialism couched as patriotism and taking our borders back mantra, whatever the latter means. All this toxic culture fanned and promoted by a British right-wing press, a whining cesspit of misplaced outrage which only further serves to divide the nation along ethnic and race lines. God, haven’t we seen it all, the toxic xenophobia!

Chatora’s employment of several viewpoints allows the reader to experience the UK form different perspectives. However, unlike some novels in which different narrator’s paths converge at the end, Where the Heart Is, is really about Fari Mupawaenda’s life, and the voices of other characters drift in and out of the novel in the same way that people drift in and out of each other’s lives at various points in real life. In his second novel, Chatora is more liberal with language, using the Shona language more than he did in his first book. Where the Heart Is, is also chock full with braggadocios and con men such as smooth talking Simbarashe Chatikobo, the shifty immigration lawyer and Samaita, a self-proclaimed healer. Both provide an entertaining picture of the criminal underworld. All in all, Where the Heart Is, offers an unvarnished portrayal of the pressures that bear down on immigrant families, and how these pressures break the tribe, so to speak.

Where the Heart Is, is available on Amazon’s URL link: Where the Heart Is: Amazon.co.uk: Chatora, Andrew: 9781637460849: Books and other leading online bookstores.

Tariro Ndoro writes poetry and short fiction and hails from Zimbabwe. Her writing explores themes of belonging, identity and gender. Tariro’s creative nonfiction, essays, poetry, reviews and short stories have been published in numerous journals and anthologies. Tariro has read her poetry at Page Poetry AlivePa Gya! Literary FestivalPaza Sauti and Wordfest.

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About the Author

Andrew Chatora

Andrew Chatora

Andrew Chatora is a Zimbabwean novelist, essayist and short-story writer based in Bicester, England. He grew up in Mutare, Zimbabwe, and moved to England in 2002. His debut novella, Diaspora Dreams (2021), was approvingly received and nominated for the National Arts Merit Awards (2022). His second book, Where the Heart Is, was published in the same year to considerable acclaim. Chatora’s forthcoming book, Born Here, But Not in My Name, is a brave, humorous and psychologically penetrating portrait of post-Brexit Britain. Chatora is noted for his acerbic and honest depiction of the migrant experience. Heavily influenced by his own experience as a black English teacher in the United Kingdom, Chatora probes multi-cultural relationships, identity politics, blackness, migration, citizenship and nationhood.

''Inside Harare Alcatraz and Other Short Stories affords Andrew Chatora to tell his story with more urgency than before. Chatora roars into centre stage with this charmed confluence of the novella, the essay, the treatise, the short story and the vignette. Here is a collection to startle you out of your complacency.'' – Memory Chirere, University of Zimbabwe

In his fourth literary offering, Andrew Chatora gives us eleven stories written in a wide range of settings and painting the lives of Zimbabweans from different walks of life. From the impenetrable Harare prison to the working class Mutare and its domain of shebeen queens to suburban Harare and a politically charged United Kingdom in a post Brexit world, Chatora takes the reader on a grand tour of outrage. Notwithstanding the shifts in scene and setting, these stories have one pervasive theme in common - they capture the suffocation and desperation of Zimbabwe and her Diaspora and fully describe the precariousness of living in environments that are increasingly hostile.

Inside Harare Alcatraz and Other Short Stories transcends the grass is never greener perspective with a nuanced interrogation of the socio-political realities of its characters. Chatora fashions a diverse cast of characters whose complexities and eccentricities evoke the utmost in us.
"Where The Heart Is offers a nuanced view of one family’s struggle to negotiate cold Britannia as they face dicey neighbourhoods, sketchy liaisons, and perennial ill-fate. Chatora’s diaspora is not the glorified El Dorado; it is an honest place of grit and survival. A stellar contribution."

– Tariro Ndoro, Author Agringada: Like a Gringa, Like a Foreigner

For migrant Fari Mupawaenda, life cannot be complete without quitting the back breaking struggle for survival in the UK and returning to the laid-back streets of a warm Harare… but does it make sense for him to want to return to the periphery once more? The man who returns, why does he return? To what does he return?

His wife, a zealous cosmopolitan, the daughter, a conflicted bed-hopping undergraduate, and the son, a budding homosexual, will not follow Fari in his trip to what they see as the back of beyond. They have decided to invest fully where they are.
Fari’s reverse trip is a story about the human body, a tight memory test and a duel between geography and anticipation…

Masterful in style and form, the narratives in Andrew Chatora’s Where the Heart Is are intensely provocative.

-Memory Chirere- University of Zimbabwe
“Chatora gives us an honest account of the migrant’s experiences in a world that seeks to silence him. Diaspora Dreams is simultaneously suffocating and isolating. Battle after battle, the reader is constantly thrown into the unforgiving world of a black man in a white man’s world.” – Tariro Ndoro, Author, Agringada: Like a Gringa, Like a Foreigner

Diaspora Dreams is Andrew Chatora’s debut novella. It details the life and struggles of Kundai Mafirakureva, a Zimbabwean immigrant living in the United Kingdom. When Kundai departs a failing Zimbabwe for the greener pastures of England, he is convinced that his luck will immediately change. Yet what he finds in the UK convinces him that all that glitters is not always gold.

Chatora takes us on a journey that acquaints us with Thames Valley, where Kundai must negotiate his place and his voice in a world where African men are not welcome, a world where racial prejudice is still rampant. Set against the backdrop of petty classroom squabbles that constantly remind Kundai of his lower status as an immigrant and as a black man, Diaspora Dreams exposes the tensions of working in the diaspora and the complicated dynamics between community and authority experienced by black men.

The pressures of Britain also bear down on Kundai’s family and relationships, threatening, in the words of du Bois, to “tear his soul asunder.” This is a novel with comedic elements gleaming with personal values and beliefs, sometimes an aching story to read, but never without excitement and hope as you watch this black man’s life unfold.
“Harare Voices and Beyond takes us on a journey through the dark recesses of the human psyche.”

─Sue Quainton, Bicester, United Kingdom

A drunken confession exposes a dark family secret. Rhys appears to have it all. A white Zimbabwean living in affluent Borrowdale Brooke area he gets involved in a freak traffic accident. Therein unfolds a confession which unleashes a cathartic chain of events in the family’s hitherto well-choreographed life, a family whose lived experience becomes microcosmic and an eye opener to Zimbabwe’s seemingly closed, forgotten, white minority community.

Through offering a rare insight into lives of the white community in post-independence Zimbabwe, Harare Voices and Beyond explores the dynamics of love, money, family feuds, identity politics, false philanthropy, and respectability inter-alia. Two families’ lives are inexorably linked in this fast-paced narrative which not only traverses multiple locations, but also juxtaposes the seedy underbelly of Harare with the leafy northern suburbs, and little-known Marina Thompson from UK Durham University all appear linked in a drama-infused finale that will shock and numb the reader.

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